Altarpieces and Their Viewers in the Churches of Rome from Caravaggio to Guido Reni

Altarpieces and Their Viewers in the Churches of Rome from Caravaggio to Guido Reni

Jones, Pamela M.

Taylor & Francis Ltd

10/2016

390

Mole

Inglês

9781138246737

15 a 20 dias

521

Descrição não disponível.
Contents: Introduction; The triumph of chastity and justice in Christian Rome: Tommaso Laureti's Martyrdom of Saint Susanna (ca 1595-97) in the church of S. Susanna; The place of poverty in Seicento Rome: bare feet, humility, and the pilgrimage of life in Caravaggio's Madonna of Loreto (ca 1605-06) in the church of S. Agostino; Serving the poor sick with humility from the lazzaretto of Milan to the hospitals of Rome: Andrea Commodi's S. Carlo Borromeo Venerating the Holy Nail (ca 1621-22) in the church of S. Carlo ai Catinari; From sin to salvation: Guercino's Penitent Magdalene (ca 1622) for the church of S. Maria Maddalena delle Convertite al Corso and the fight against prostitution; Leading pilgrims to paradise: Guido Reni's Holy Trinity (1625-26) in the church of SS. TrinitA dei Pellegrini e Convalescenti and the care of bodies and souls; Conclusion; Bibliography; Index.
Holy Nail;Sette Chiese;holy;Caravaggio's Madonna;nail;Ludovico Ludovisi;forty;Arciconfraternita Della;hours;Forty Hours Devotion;devotion;Tommaso Laureti;arciconfraternita;Public Altarpieces;della;High Altarpiece;Seicento Rome;Early Modern Catholicism;Poor Sick;Lenten Station;Reni's Style;Guido Reni;Cardinal Protector;Guercino's Painting;Caravaggio's Painting;Cistercian Nuns;Leo III;Caravaggio's Art;Pictorial Cycle;Christ Child;Holy Trinity;Fano Version