Acting, Archetype, and Neuroscience

Preface Introduction Section One: Origins Chapter 1: Returning to Mythic Roots Physical Beginnings of Acting Current Actor Training Current Training Hymn: To Vulcan (Hephaistos), Fumigation from Frankincense and Manna Chapter 2: Resurrecting Mythic Stories Linking Neuroscience and Archetypal Mythology Chapter 3: Primary Conflict and the Hero's Journey Primary Conflict: Order Versus Chaos Peter and Wendy Section Two: The Exercises and the Work Chapter 4: The Exercises Meditation Magnets Push, Pull, Hold, Release Sticks Viewpoints Second Viewpoints Class: Contact and Company Day Three: Company, Architecture, and Music Chapter 5: Beginning Superscenes Text and Archetypes Fourth Session: Exercise: Using the Monomyth A Linear Representation of the Hero's Journey Inciting Incident: Exact Scene? Exact Line? Exact Rationale? Chapter 6: Two Hero's Journeys The Hero's Journey of Muhammad Ali Hamlet's Journey: A Brief and Debatable Look at Hamlet as Hero Chapter 7: Bridging and Superscenes Bridges Superscenes Superscenes and Memory Section Three: Neuroscience and Images Chapter 8: Mirror Neurons, Emotions, Memory, Meditation, Embodiment, and Images The Limbic System The Eternally Balancing Body Meditation Phenomenology: The Study of the Experience of Intention Mirror Neurons Second Person Interactivity: MNs The Use of Metaphor, Image, and Active Words Memory: Images and the Brain Memory, Archetype, and Mirror Neurons Memory Consolidation Chapter 9: Archetypal Patterns Family Stories CG Jung Archetypal Patterns of Plots Chapter 10: Archetypal Journey; In The Blood by Susan Lori Parks The Ancient Story, Myth and Archetype Protagonist/Antagonist Statement Hester's Hero's Journey Chapter 11: Conclusion Bibliography Index

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